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sardoodledom Wiktionary

Kennyi Aouad, of Terre Haute, Indiana was 11 years old in 2007, when he found himself giggling over the word “sardoodledom”. The Irish playwright George Bernard Shaw invented the word in 1895. New words appear; old ones fall out of use or alter their meanings. World Wide Words tries to record at least a part of this shifting wordscape by featuring new words, word histories, words in the news, and the curiosities of native English speech. There are obviously specific signs for many words available in sign language that are more appropriate for daily usage. Help support Wordnik (and make this page ad-free) by adopting the word sardoodledom.

It commemorates the French playwright Victorien Sardou. He was extremely successful in the 40 years from 1860, creating more than 70 plays, some for the French actress Sarah Bernhardt. So sardoodledom refers to a play with an over-written and melodramatic plot.

Among the next generation of English-language playwrights indebted to Scribe was Bernard Shaw; despite Shaw’s frequent denigration of Scribe (see “Objections”, below), the latter’s influence is seen in many of Shaw’s plays. Victorien Sardou followed Scribe’s precepts, producing numerous examples of the well-made play from 1860 into the 20th century, not only at the Comédie-Française and commercial theatres in Paris, but also in London and the US. His subject matter included farce and light comedy, comedy of manners, political comedy and costume dramas both comic and serious. D. Howarth writes that Sardou’s “well-developed sense of theatre and meticulous craftsmanship” made him the most successful dramatist of his day. Scribe, a prolific playwright, wrote several hundred plays between 1815 and 1861, usually in collaboration with co-authors. His plays, breaking free from the old neoclassical style of drama seen at the Comédie Française, appealed to the theatre-going middle classes.

The correlation between social problem and administrative remedy is seldom exact. Unlike the introductory movement, environmental recordings are seldom perceived, and the whole movement is endowed with a distinctly abstract character. In fact, it is difficult to run one’s eye over these listings without realizing – and regretting – how seldom they have been put to use. But the idea of an ageless self is also supported by developmental psychological theories, where the development after adolescence is seldom considered. Having been startled by a squirrel running across my balcony the other day, I was very impressed by the Californian teenager who bravely took on an entirely different creature, a large bear, pushing it off her garden fence when it was threatening her dogs.

Wishing to become, as an Irishman living in Britain, a non-English playwright, was bold; it was also risky as it eventually resulted in an unexpected outcome of self-exclusion. The key difference is sardoodledom has two players and involves more than just seduction. The players are actually a couple of different people who are seduced at different times, each of which are involved in different aspects of the game. A couple would be the seductress and the seducer, and the seducer would be the one who is seduced and the seductress would be the one who is seduced. The word sardoodledom means a person who has been seduced by a seductive person, a seducing person. It is also the name of a kind of game that can be played by two or more persons at one time.

The “well-made” form was adopted by other French and foreign playwrights and remained a key feature of the theatre well into the 20th century. While reading some books about the history of words earlier this year, I came across the word , which means “a stupid or insignificant fellow, a fool, a simpleton.” The morpheme means “fool, simpleton” and is of unknown origin. The noun meaning “simple fellow” is attested from 1620s. Photo credit should read JEWEL SAMAD/AFP via Getty ImagesJacques A Bailly, who was the official pronouncer of the Scripps National Spelling Bee at the time, sums up the meaning of sardoodledom as simply, a “really fun word for melodramatic playwriting”. Plays having contrived melodramatic plot, concentrating excessively on technique to the exclusion of characterization. After Victorien Sardou, 18th-century French playwright; coined by George Bernard Shaw.

B. Priestley’s 1946 An Inspector Calls may in some ways be considered a “well-made play”, although the author adds a twist replacing the expected happy ending with the prospect of a further ordeal for the characters. Before the late-18th century, French theatre had been neoclassical in style, with strict forms reflecting contemporary interpretations of the theatrical laws propounded by Aristotle sardoodledom def in his Poetics, written some 1,500 years earlier. The prevailing doctrine was “verisimilitude”, or the appearance of a plausible truth, as the aesthetic goal of a play. Scène à faire (the “obligatory” scene) – a term invented by the 19th-century critic Francisque Sarcey – a scene in which the outcome the audience expects and ardently desires comes to pass or is clearly signalled.